Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Francois Pascal Simon Gerard
Portrait de Napoleon Ier en uniforme de colonel des grenadiers a pied de la Garde

ID: 83976

Francois Pascal Simon Gerard Portrait de Napoleon Ier en uniforme de colonel des grenadiers a pied de la Garde
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Francois Pascal Simon Gerard Portrait de Napoleon Ier en uniforme de colonel des grenadiers a pied de la Garde


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Francois Pascal Simon Gerard

12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard.  Related Paintings of Francois Pascal Simon Gerard :. | Louis-Philippe Ier, roi des Francais, prete serment sur la Charte | Portrait of la duchesse de Berry et ses enfants | Portrait of Marie Louise of Austria, Empress of French | Napoleon Ier en costume du Sacre | Portrat der Konigin Hortense |
Related Artists:
sir herbert edwin pelham hughes-stanton,r.a.,p.r.w.s.
1870-1937
VICTORS, Jan
1619-1676 . Dutch painter. He was half-brother to the bird painter Jacobus Victors (1640-1705) and the noted Delft potter Victor Victors (b 1638). About 150 oil paintings by Jan Victors, comprising portraits, genre scenes and historical subjects on both canvas and panel, have been catalogued. No signed or securely attributable drawing by him is known. Although his training is undocumented, Victors has long been considered a member of the school of Rembrandt in Amsterdam. His paintings of 1640-70 show many formal and thematic interrelationships with Rembrandt and his documented pupils of the 1630s
Leonardo Bazzaro
(Milan, 1853-1937) was an Italian painter. After picking up the basics in the studio of the painter Gaetano Fasanotti, Bazzaro enrolled at the Brera Academy in Milan, where he was awarded the Fumagalli Prize in 1875. The following years saw a series of perspective views set in Milanese churches and mansions. The success achieved with the public and critics alike at a number of major national and international events prompted him to take an interest also in portraiture and landscape painting, for which his favourite settings were Venice and Chioggia. The works of the 1880s and 1890s also include increasingly intimist scenes of everyday life in the setting of Valsassina, Valle deAosta and Verbano. Bazzaro continued to take part in numerous exhibitions in the region of Lombardy as well as the Venice Biennale and the Rome Quadrenniale right up to his death, always achieving great success with collectors and being asked to execute replicas of his most popular subjects.






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